I’m skeptical about modern art, particularly performance art. While I appreciate the concepts behind some pieces, sometimes I wonder if the execution has the desired impact or clarity compared to traditional craftsmanship.

“Apología de Bob López” by Guillermo Nugent critiques social hierarchy in Lima through a contemporary lens on Ribeyro’s “Alienación.” It offers a vital counterpoint and highlights narrator bias, enriching the original story.

On April 20, 2022, I spoke with Nuria Cano about Taller Magenta, a self-managed cultural space in Barranco. Born before the pandemic, it evolved into a collaborative art and theoretical practice hub adhering to creative ideals.